Here are a few more shots taken with the Fujifilm Superia Xtra film. I find the grain in the first shot particu;arly off-putting and it’s only marginally better in the fourth shot, which is my favourite from the roll. I believe this is one of the many films Fujifilm are pulling from the market. If so, it’s no great loss.
Disappointing. I expected more from this film. Partly because it is from Fujifilm. Partly because the results from the last colour 400 film I tried – Kodak Ultramax – were unexpectedly good. While images from this film taken in good light look well, once shadows appear so does the grain to a much greater extent than with the Kodak film. While it is small and relatively uniform this only makes it worse since it contributes to a kind of smudged appearance at times. Harder, more random grain would be better. So, a decent film on a bright day but a distant second to the Ultramax when shooting in the shade.
Here are a few archtectural shots taken mostly in the full light of the day.
I’m too eclectic of a photographer to have a style, but there are certain practices that I return to regularly. Probably the most common of these is to find an interesting backdrop and take up a position nearby where I can photograph people as they enter into the frame. This brightly painted complex of electricity distribution boxes, overlaid with graffiti and old posters, worked well with the vivid red wall in the background. I took a few shots and this was the best of them.
I took this with my Panasonic Lumix LX5, my current representative of a camera range I’ve always liked ever since I picked up the earlier LX3 in 2009. Using it a lot over the last few days I have begun to wonder if I really need anything bigger. There are some constraints of course. Despite the little sensor performing well most of the time it is limited in difficult lighting situations (though Lightroom can compensate for a lot.) The biggest issue is speed – both the slow autofocus and shutter lag make it very challenging to take this kind of picture if the subject moving into the frame is moving at anything more than walking pace. I tried a few shots against this backdrop with cyclists, trams, and electric scooters moving into the frame but never got the timing right and ended up with the subject either too far into the frame or already leaving the frame.
It’s a shame Panasonic never consistently followed up the small sensor LX range. The LX10/15 looked like a potentially viable update at one point but it seems that Sony owns this market with the RX100. I did have one of the original RX100s but eventually sold it primarily because of the slow lens. I’m occasionally tempted by the RX100 Va but that near $1,000 price tag holds me back.
The Avlabari district of Tbilisi was the centre of the city’s sizable Armenian community though their numbers have fallen dramatically over the years. Just one street away from this building on Vakhtang VI Street is the Presidents Palace, built at considerable expense during the tenure of Mikheil Saakashvili. Aesthetically, this old sagging balcony propped up on its steel supports makes a great picture, particularly with the compression effect of a telephoto lens, but I wouldn’t like to live in it. It seems the President’s ambitions for the neighbourhood didn’t extend beyond the grounds of his palace.
Gateway Park, Rosslyn VA / Konica C35, Agfa Vista 400